Les Mis... What's the big deal?

[jbsegal]

So, after The Star Wars Trilogy Musical Edition ganked something like 1/2 its music from Les Mis, I decided it should actually listen to the original.

I borrowed The Complete Symphonic Recording from dancingdeer.

I'm not impressed.

Thoughts: While I'm not much of a fan of opera, so I can't really compare, it really feels to me like 50%+ of the show is recitative and I don't like it.

Related: This is the most un-lyrical musical I've ever heard. Much of the time, it sounds like it wants to be a straight play but someone decided to graft on music.

Yes, musicals often have themes or leitmotifs, it often feels like this show has, alongside the 50% recitative, another 30% made up of the same... 3? 4? songs, reused and reused and reused.

There's not a thing about the recording that evokes 'France' for me. The occasional french phrase feels forced and artificial, especially alongside the cockney accents of the lower-class characters.

The use of synthesizers in the scoring is... anachronistic, in a way I can't let wash over me.

Specific to this recording: I hate Gary Morris' voice/accent. As he's a TX? TN? born country singer, this isn't that surprising.

So, why the heque is this such a popular show? Sure, there are a couple of nice songs, but they're a very small percentage of the whole. Is it totally different live? Really?

Comments

[hammercock.livejournal.com]

Well, yeah. :-} But part of the point of the whole novel in the first place was that people really did get insanely, inappropriately long sentences for stealing a loaf of bread or a small packet of lace, not just in France, but also in England (and probably other countries, too). If you look at the ship's manifest of the First Fleet that transported British criminals to Australia, most of them really were just cases of petty theft.