I hate the use of blatantly out-of-period music in period drama movies.
I'm fine with re-setting period things (G&S, Shakespeare) to different periods and using appropriate music with them, but techno/electronica in a 1910's period piece really really bugs me.
This isn't even the start of why I loathe Moulin Rouge, though.
I'm fine with re-setting period things (G&S, Shakespeare) to different periods and using appropriate music with them, but techno/electronica in a 1910's period piece really really bugs me.
This isn't even the start of why I loathe Moulin Rouge, though.
no subject
Date: 2004-02-17 09:13 am (UTC)Luckily, I can recommend with a clear conscience that you skip it, as it basically sucked.
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Date: 2004-02-17 09:18 am (UTC)no subject
Date: 2004-02-17 09:45 am (UTC)made by G&S and Shakespeare?
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Date: 2004-02-17 11:37 am (UTC)Good soundtracks enhance and I just don't think what I'm talking about enhances - it just breaks the mood, repetedly.
no subject
Date: 2004-02-17 12:16 pm (UTC)no subject
Date: 2004-02-18 06:58 am (UTC)Can I ask an art question? If putting them into different period clothing, local & the like, why is putting the music different bad?
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Date: 2004-02-18 07:17 am (UTC)http://www.hbo.com/films/ironjawedangels/?ntrack_para1=leftnav_category5_show0
It's the story of the Suffrage movement in the US, 1915-1917 or so.
To quote from an IMDB review:
Ron Smolin (rsmolin@ix.netcom.com)
Philadelphia
Date: 17 February 2004
Summary: Excellent Story, Terrible Music
This docu-drama provides a wonderful story of the right-to-vote movement early last century, but whoever selected the anachronistic music soundtrack has to be taken out and shot. The idea is to show what it was like in 1900-1920 period, and the production shots and camera work do a fine job; but why in the world do we need rock'n'roll music to offer a major distraction to the film? This really made watching the movie at times repugnant. And the director and editor decided to do some fancy, techno editing effects, which further removed the film from the proper time setting. But the fine acting by all major players, and the great story itself, save this film.
= = =
and someone else said, in part:
"Think of a great movie like Richard III, a retelling of the Shakespeare play set not in late 15th Cenury England but in the 1930s during the rise of Nazism. The film embraced the anachronism and used it to telling effect. Iron Jawed Angels, by contrast, is littered with false moments and sounds that distract rather than reinforce the story."
Moulin Rouge (with a spoiler, in case anyone cares)
Date: 2004-02-18 07:44 am (UTC)Re:
Date: 2004-02-18 10:55 am (UTC)Just checking if it was a scenario specific problem, or the whole "taking things out of time period" thing in toto.